Work
I never tell dancers what to do, never ask them to repeat something or read about the performance before I go take pictures of it. Try to be a blank sheet of paper to keep reactions authentic and without any prejudice. Only then I think I can say my pictures are showing only the reality. And the biggest beauty of all in contemporary dance and performing arts is never really knowing, what might happen.
Míření, Metoděj Vykydal / manus.art.collective / 50mm; T 1/30; F 1.4; ISO 3200; R3
RIDERS, Fanny Barrouquere, Adam Sojka, Monika Částková / Lenka Vagnerova Company / 50mm; T 1/250; F 1.4; ISO 1600; R3
Baletky, Miřenka Čechová / Spitfire Company / 85mm; T 1/250; F 1.4; ISO 3200; R
Propojme se včera, Eliška Benešová / Tantehorse / 85mm; T 1/250; F 1.2; ISO 3200; R3
Lunatic, Alžběta Mayerová / Miřenka Čechová & Laterna Magika / Signal Festival / 50mm; T 1/500; F 1.4; ISO 3200; R3
Tektoparty, Matthew Rogers / Ostruzina / 24mm; T 1/1000; F 2.0; ISO 400; R3
Muž vlastní penis, vagína vlastní ženu, Marie Štípková / Spitfire Company & Švandovo divadlo / 300mm; T 1/250; F 2.8; ISO 3200; 1Ds Mark III
Woods, Clarice Lima & coll. / Tanec Praha / 24mm; T 1/4000; F 2.8; ISO 400; R
City horses, Byström Källblad / Tanec Praha / 50mm; T 1/1000; F 1.4; ISO 400; R
City horses, Byström Källblad / Tanec Praha / 300mm; T 1/1000; F 2.8; ISO 800; 1Ds Mark III
Kouzelný cirkus, dernira / Laterna Magika / 50mm; T 1/250; F 2.0; ISO 3200; R3
Robot Radius, Radim Vizváry / Laterna Magika / 85mm; T 1/250; F 1.4; ISO 3200; 5D Mark III
Pulsar / Pulsar / 35mm; T 1/250; F 1.4; ISO 3200; 5D Mark III